Biography Ana Mendieta

MENDIETA OTI, Ana María 283

Artistic name: Ana Mendieta

Signature: Ana Mendieta

Born: Havana, Cuba, November 18, 1948

Died: New York, U.S.A., September 8, 1985

Resides: Iowa City, Iowa [1961‑1978]/New York [1978‑1983]/Rome/New York [1983‑1985]

Art forms: SCULPTURE, INSTALLATIONS, PERFORMANCE, PHOTOGRAPHY, DRAWING

EDUCATION

1966‑1969 Master of Art. The University of Iowa, Iowa City, Iowa, U.S.A.

1969‑1972 Master of Fine Art. The University of Iowa, Iowa City, Iowa, U.S.A.

PROFESSIONAL ACTIVITY

1972‑1977 Professor. Iowa City High School, Iowa, U.S.A.

1973‑1974/1976/1978 Coordinator. University of Iowa Summer School Multimedia/Video Art Program, Oaxaca, MEXICO.

1976 Panelist. “The Function of a Museum in Art Education.” Museum of Art, Iowa City, Iowa, U.S.A.

1977 Speaker. “Iowa, Year 2000.” Governor’s Commission on the Future of the Arts, Iowa, U.S.A.

1978 Guest Artist. The University of Iowa, Iowa City, Iowa/The University of Hartford, West Hartford, Connecticut, U.S.A.

1979 Guest Artist. Mount Mercy College, Cedar Rapids, Iowa/Rochester Institute of Technology, Rochester, New York/Kean College Union, New Jersey, U.S.A.

1979 Panelist. “Latin American Women Artists.” A.I.R. Gallery, New York, U.S.A.

1979 Panelist. “Action Against Racism in the Arts.” Landmark Gallery, New York, U.S.A.

1979‑1980 Instructor. State University of New York, U.S.A.

1980 Guest Artist. Pratt Institute of Art, New York/School of Visual Arts, New York/The University of Vermont, Burlington, Vermont, U.S.A.

1980 Panelist. “Theoretical Concepts in Feminist Art.” A.I.R. Gallery, New York, U.S.A.

1980 Panelist. “Feminism and Spirituality.” Feminist Art Institute, New York, U.S.A.

1980 Panelist. “Expressionism in Contemporary Art.” Landmark Gallery, New York, U.S.A.

1981 Guest Artist. The Art Institute of Chicago, Illinois, U.S.A.

1981 Member. Selection Committee, Franklin Furnace Archive, New York, U.S.A.

1981 Moderator. “Tendencias actuales en el arte de Estados Unidos” (round-table discussion), Casa de las Américas, Havana, CUBA.

1982 Consultant on Sculpture. Creative Arts Public Service (CAPS) Grant, New York, U.S.A.

SOLO SHOWS

1971

Iowa Memorial Union, The University of Iowa, Iowa City, Iowa, U.S.A.

1976

Ñañigo Burial and Filmworks [February 23‑March 5]. 112 Greene Street, New York, U.S.A.

[Films & Video]. Li Yuan‑Chia Museum, Cumbria, U.K.

[Films]. Hochschuel für Bildende Kunst, Hamburg, F.R.G.

[Films]. Kunstverein Kreis, Gutersloh, F.R.G.

1977

Silueta Series 1977 [December 5‑23]. Corroboree: Gallery of New Concepts, University of Iowa, Iowa City, Iowa, U.S.A.

1979

Silueta Series [November 6‑24]. A.I.R. Gallery, New York, U.S.A.* [poster]

1980

Two Projects in Earth [April 22‑24]. Kean College Union, New Jersey, U.S.A.

Earth/Body Sculptures [September 24‑October 8]. Colburn Gallery, University of Vermont, Burlington, Vermont, U.S.A.

Museu de Arte Contemporâneo, Sâo Paulo, BRAZIL.

1981

Rupestrian Sculptures/Esculturas rupestres [November 10‑28]. A.I.R. Gallery, New York, U.S.A.*

1982

Earth/Body Sculptures [April 19‑May 12]. Douglass College, Rutgers University, New Jersey, U.S.A.

Outdoor Sculpture [October 14‑November 28]. Lowe Art Museum, The University of Miami, Coral Gables, Florida, U.S.A.*

Amategrams and Photographs [November 2‑21]. Yvonne Seguy Gallery, New York, U.S.A.

The University Art Museum, University of New Mexico, Albuquerque, New Mexico, U.S.A.

1983

Geo‑Imago [April 26‑?]. Pequeño Salón, Museo Nacional de Bellas Artes, Havana, CUBA.*

1984

Earth Archetypes [March 21‑Aprile 30]. Primo Piano, Rome, ITALY.

1985

Duetto Pietro e Foglie [Ana Mendieta/Carl Andre] [January‑February]. Galleria A.A.M., Rome, ITALY.

1987

Ana Mendieta. A Retrospective [November 20/1987‑January 24/1988]. The New Museum of Contemporary Art, New York, U.S.A.*

1988

Ana Mendieta: A Personal Reminiscence [May 12‑June 18]. Terne Gallery, New York, U.S.A.

Los Angeles Contemporary Exhibitions (LACE), Los Angeles, California, U.S.A.

1989

Carlo Lamagna Gallery, New York, U.S.A.

1990

Burial of the Ñañigo. Installation. Pat Hearn Gallery, New York, U.S.A.

Aspen Art Museum, Aspen, Colorado, U.S.A.

1991

Ana Mendieta. The “Silueta” Series 1973‑1980 [December 5/1991‑ January 11/1992]. Galerie Lelong, New York, U.S.A.*

1992

Ana Mendieta/Tania Bruguera [January 6‑?]. Centro de Desarrollo de las Artes Visuales, Havana, CUBA.* (Project of Cuban artist Tania Bruguera with appropriations and reproductions of the works of Ana Mendieta.)

Ana Mendieta. Earth Stone Sand: Works from 1970s and 1985 [November 14‑December 12]. Laura Carpenter Fine Art, Santa Fe, New Mexico, U.S.A.

Ana Mendieta: The Silueta Series, 1973-1980. University Art Gallery, University of Massachusetts, Dartmouth, Massachusetts, U.S.A.

1993

Centre d’Art Contemporain de Vassivière, Ile de Vassivière, Beaumont du Lac, FRANCE.

Ana Mendieta: The Silueta Series. Wexner Center for the Arts, Columbus, OH./University Art Gallery, San Diego State University, San Diego, California/Freedman Gallery, Albright College, Reading, Pennsylvania, U.S.A.

1994

Ana Mendieta: Burial of Ñañigo. Ruth Bloom Gallery, Santa Monica, California, U.S.A.

Ana Mendieta: The Late Works. Cleveland Center for Contemporary Art, Cleveland, Ohio, U.S.A.

Ana Mendieta. Artothèque de Caen, Caen, FRANCE.

Ana Mendieta: Líneas, 1980-1983. Galerie Lelong, New York, U.S.A.

1995

Ana Mendieta. Galerie Barbara Gross, Munich, GERMANY.

Ana Mendieta. Galería DV, San Sebastian, SPAIN.

1996

Ana Mendieta. Helsinki City Art Museum, Helsinki, FINLAND/Uppsala Konstmuseum, Uppsala, SWEDEN/The Living Art Museum, Reykjavik, ICELAND.

1996-1997

Ana Mendieta [July 23-October 13/1996]. Centro Galego de Arte Contemporanea, Santiago de Compostela, SPAIN*/[October 31-December 29/ 1996]. Kunsthalle Düsseldorf, Dusseldorf, GERMANY/[January 21-March 30/1997]. Fundació Antoni Tàpies, Barcelona, SPAIN*/[June-August/1997]. Miami Art Museum of Dade County, Miami, Florida/[August 10-November 2/1997]. The Museum of Contemporary Art (MOCA), Los Angeles, California, U.S.A.

PERFORMANCE

1972

“Facial Cosmetic Variations.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

“Glass on Body.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

“Facial Hair Transplant.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

“Death of a Chicken.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

“Feathers on a Woman.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

1973

“Freeze.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

The Clinton Arts Center, CNPA Production, Clinton, Iowa, U.S.A.

“Tied-Up Woman.” University of Iowa, Iowa, U.S.A.

“Rape Scene.” House of the artist, Iowa City, Iowa, U.S.A.

“Cuerpo mutilado en el paisaje.” Hotel Principal, Oaxaca, MEXICO.

“People Looking at Blood. Moffit.” Iowa City, Iowa, U.S.A.

“Sin título.” Convento de Cuilapán, MEXICO.

“Flores sobre el cuerpo.” El Yagul, Oaxaca, MEXICO.

“Rape Performance.” Near to a Lake McBride, Iowa, U.S.A.

1974

“Escultura Corporal.” Unidad Profesional Zacatenco, Mexico City, MEXICO.

“Body Prints.” The Museum of Art, The University of Iowa, Iowa City, Iowa, U.S.A.

Universidad Politécnica de México, Mexico City, MEXICO.

“Body Tracks.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

The University of Wisconsin, Madison, Wisconsin, U.S.A.

1975

“On Giving Life.” The Center for the New Performing Arts, University of Iowa, Iowa City, Iowa, U.S.A.

1976

“Body Tracks.” International Culturel Centrum, Antwerp, BELGIUM.

“Body Tracks [performance] & Video.” Studentski Kulturni Centrum, Belgrade, YUGOSLAVIA.

1978

“La Noche, Yemayá.” Franklin Furnace Archive, New York, U.S.A.

1982

“Body Tracks.” Franklin Furnace Archive, New York, U.S.A.

SELECTED GROUP SHOWS

1975

112 Greene Street, New York, U.S.A.

1976

University of Iowa Summer 1976 [March 11‑April 2]. Corroboree: Gallery of New Concepts, University of Iowa, Iowa City, Iowa, U.S.A.

1977

Contact: Women and Nature [January 7‑29]. Hurlbutt Gallery, Greenwich, Connecticut, U.S.A.

Feminist Statements [February‑March]. Women’s Building, Los Angeles, California, U.S.A.

A.I.R. Out‑of‑New York Invitational [May 28‑June 28]. A.I.R. Gallery, New York, U.S.A.

M.F.A. Exhibition 1976‑77 [May‑June]. The Museum of Art, The University of Iowa, Iowa City, Iowa, U.S.A.

1977‑1979

Raíces antiguas/Visiones nuevas. Ancient Roots/New Visions. [May 7-June 19/1977]. Tucson Museum of Art, Tucson, Arizona/[July 9‑October 2/1977]. National Collection of Fine Arts, Smithsonian Institution, Washington, D.C./[December 3/1977-January 8/1978]. Museum of Albuquerque, New Mexico/[February 9-March 26/1978]. El Paso Museum of Art, Texas/[July 15-August 20/1978]. Los Angeles Municipal Art Gallery, Los Angeles, California/[February 17‑April 1/1979]. Everson Museum of Art, Syracuse, New York*/[1979]. San Antonio Museum, Texas/[August‑October/1979]. Museum of Contemporary Art, Chicago, Illinois, U.S.A.

1978

Spaces II [April 25‑May 12]. Amelie A. Wallace Gallery, State University of New York at Old Westbury, New York, U.S.A.

Work in Progress [June 11‑17]. C Space, New York, U.S.A.

Commission on the Status of Women. A.I.R. Gallery Members [June‑ July]. New York, U.S.A.

Variations on Latin Themes in New York [June 14‑July 28]. The Center for Inter‑American Relations, New York, U.S.A.

1979

Inaugural Exhibition. (A.I.R. Gallery Members) [January]. Mason Gross School of the Arts Gallery, Rutgers University, New Brunswick, New Jersey, U.S.A.

Window to the South: Works by Fourteen Contemporary Artists from Latin America [February]. Henry Street Settlement, Louis Abrons Arts for Living Center, New York, U.S.A.

8th Anniversary Exhibition [February 21‑March 4]]. 112 Greene Street, New York, U.S.A.

Private Icon [February 29‑April 22]. The Bronx Museum of the Arts, Bronx, New York, U.S.A.

Lines, Points & Planes [May 5‑June 4]. The Roosevelt Public Library Art Workshop Gallery, Roosevelt, New York, U.S.A.

Exchange I [May 11‑July 31]. Henry Street Settlement, Louis Abrons Arts for Living Center, New York, U.S.A.

By the Sea [June 16‑September 9]. Queens Museum, Flushing Meadow, Corona Park, New York, U.S.A.

CAPS Sculpture Show [September 22‑October 11]. Bavier Gallery, Rochester Institute of Technology, College of Fine and Applied Arts, Rochester, New York, U.S.A.

Expression of Self: Women and Autobiography. Douglass College, Rutgers University, New Brunswick, New Jersey, U.S.A.

1980

Art Across the Park [July 20‑September 24]. Central Park, New York, U.S.A.

Renderings of Modern Woman [October 8‑November 13]. Joseloff Gallery, University of Hartford, Hartford, Connecticut, U.S.A.

Latin American Artists‑80 [October 16‑November 22]. Cayman Gallery, New York, U.S.A.

Women/Image/Nature [December 1‑19]. Tyler School of Art, Temple University, Philadelphia, Pennsylvania/ Rochester Institute of Technology, Rochester, New York., U.S.A.

Sculpture Garden, Wards Island, New York, U.S.A.

Dialectics of Isolation: An Exhibition of Third World Women Artists of United States. A.I.R. Gallery, New York, U.S.A.

Dialects. Franklin Furnace, New York, U.S.A.

Plakat Action. Frankfurt, F.R.G.

1981

Voices Expressing What Is [February 1‑March 1]. Westbeth Gallery, New York, U.S.A.

Transformation: Women in Art 1970‑1980 [March]. Art Expo 1981, New York, U.S.A.

Ritual and Landscape [May 5‑30]. Touchstone Gallery, New York, U.S.A.

IV Bienal de Arte de Medellín [May]. Museo de Arte Moderno, Medellin, COLOMBIA,

Primer Salón Nacional de Pequeño Formato [September 16‑?]. Salón Lalo Carrasco, Hotel Habana Libre, Havana, CUBA.*

[September 29‑October 17]. A.I.R. Gallery, New York, U.S.A.

A.I.R. [October 3‑November 1]. Lunds Kontshall, Lund, SWEDEN.

Latin American Art: A Woman’s View [October 5‑November 13]. Frances Wolfson Art Gallery, Miami‑Dade Community College, Miami, Florida, U.S.A.*

Sculpture Garden, Wards Islands, New York, U.S.A.

A.I.R. Group. Helen Sklien Gallery, Boston, Massachusetts, U.S.A.

Art and Ecological Issues. Hunter Gallery, Hunter College, New York, U.S.A.

From the Files: VARS at JAM. Just Above Midtown, New York, U.S.A.

1982

Four Manifestoes. Vito Acconci/Rudolf Baranik/Joseph Beuys/Ana Mendieta [January 5‑23]. Lerner‑Heller, New York, U.S.A.

Seventh Season Part II [May 7‑30]. Real Art Ways, Hartford, Connecticut, U.S.A.

Premio de Fotografía Cubana 1982 [May 25‑?]. Salón 23 y M, Hotel Habana Libre, Havana, CUBA*

¡Luchar! An Exhibition for the People of Central America [June 19‑July 9]. Taller Latinoamericano, New York, U.S.A.

Contemporary Outdoor Sculpture at the Guild [August 3‑October 14]. The Guild Inn, Toronto, CANADA.

Women of the Americas: Emerging Perspectives [September 15‑October 17]. The Center for Inter‑American Relations and Kouros Gallery, New York, U.S.A.

Ritual and Rhythm: Visual Forces for Survival [October 17‑November 21]. Kenkeleba House Gallery, New York, U.S.A.*

Art Across the Park. El Museo del Barrio, New York, U.S.A.

Nature: Image and Metaphor. Greene Space Gallery, New York, U.S.A.

Projects in Nature. Wave Hill, Bronx, New York, U.S.A.

1983

Exchange of Sources: Expanding Powers [February 28‑March 25]. California State College, Stanislaus, California, U.S.A.

Latin America Women Artists [March 8‑April 3]. Central Hall Artists, New York, U.S.A.

The Fertility Imperative [May 11‑June 15]. Eugenia Cucalón Gallery, New York, U.S.A.

New Works by the Gallery Artists [December 13/1983‑January 8/1984]. Yvonne Seguy Gallery, New York, U.S.A.

Contemporary Latin American Art. The Chrysler Museum, Norfolk, Virginia, U.S.A.

Feminist Arts: Issues and Images. Hamilton College, Clinton, New York, U.S.A.

Printed by Women. The Print Club, Philadelphia, Pennsylvania, U.S.A.

Seven Women: Image/Impact. P.S.1., The Institute for Art and Urban Resources, Inc., Long Island, New York, U.S.A.

1984

Fotografie Kuba [January 3‑17]. Palast der Republik, Berlin, G.D.R.*

Annual Exhibition [June 4‑July 5]. American Academy, Rome, ITALY.*

Borsiste Stranieri in ITALY [June 28‑July 15]. Il Signo a Spoleto, Palazzo Piccoli, Spoleto, ITALY.

Land Marks [September 16‑October 28]. Edith C. Blum Art Institute, Bard College Center, Annandale‑on‑Hudson, New York, U.S.A.

Phases I‑IV. MacArthur Park Public Art Program (By Otis Art Institute of Parson School of Design) [September 18‑October 20]. MacArthur Park, Los Angeles, California, U.S.A.

Soul Catchers [November 27/1984‑January 12/1985]. Stellweg‑Seguy Gallery, New York, U.S.A.

Furrows. Rhode Island School of Design, Providence, Rhode Island, U.S.A.

Latin American Visual Thinking. Art Awareness, Lexington, New York, U.S.A.

1984-1985

Aquí: 27 Latin American Artists Working and Living in the United States [October 30‑December 15/1984]. Fisher Gallery, University of Southern California, Los Angeles, California/[January 15‑February 17/1985]. May Porter Sesnon Gallery, Porter College, University of California, Santa Cruz, California, U.S.A.*

1985

Awards in the Visual Arts 4 [May 11‑June 23]. Albright‑Knox Art Gallery, Buffalo, New York/[August 2‑September 29]. Southeastern Center for Contemporary Art, Winston‑Salem, North Carolina/[December 12/1985‑January 26/1986]. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, U.S.A.

1986

In Homage to Ana Mendieta [February 6‑25]. Zeus‑Trabia Gallery, New York, U.S.A.

Caribbean Art/African Currents [April 17‑May 25]. Museum of Contemporary Hispanic Art (MOCHA), New York, U.S.A.

Made in USA: Art from Cuba. Amelie Wallace Gallery, State University of New York at Old Westbury, New York, U.S.A.

Rape. Ohio State University Gallery of Fine Art, Columbus, Ohio, U.S.A.

1987

Race and Representation. Art/Film/Video [January 26‑March 6]. Hunter College Art Gallery, New York, U.S.A.*

On the other Side [May 16‑June 27]. Terne Gallery, New York, U.S.A.

[September 22‑October 17]. Terne Gallery, New York, U.S.A.

With Her Body in Mind. Hera Gallery, Wakefield, Rhode Island, U.S.A.

1988

Cintas Fellows Revisited: A Decade After [October 1/1988‑January 15/1989]. Main Library, Metro‑Dade Cultural Center, Miami, Florida, U.S.A.*

Figures: Form and Fiction. Everson Museum of Art, Harrison, New York, U.S.A.

Heresies: Issues that Won’t Go Away. P.P.O.W. Gallery, New York, U.S.A.

Just like a Woman. Greenville County Museum of Art, Greenville, North Carolina, U.S.A.

Transformative Visions. Newhouse Center for Contemporary Art, Snug Harbor, New York, U.S.A.

Alter/Altar. Carlo Lamagna Gallery, New York, U.S.A.

Eleventh Anniversary. The New Museum of Contemporary Art, New York, U.S.A.

1989

Lines of Vision: Drawings by Contemporary Women [July 6‑August 17]. Hillwood Art Gallery, Long Island University, Brookville, U.S.A.*

Earth: Latin America’s Visions/La Tierra: visiones de América Latina. [September 26‑December 14/1989]. Museum of Contemporary Hispanic Art (MOCHA), New York, U.S.A./[March 11‑May 5/1990]. Museo de Bellas Artes, Caracas, VENEZUELA.*

Latin American Art from the Private Collections of María and Luis Avellana, S.M. Lurie, Peter Menéndez. Interamerican Art Gallery, Miami-Dade Community College, Miami, Florida, U.S.A.

1990

Figurative Perspectives: Six Artists of Latin American Background [January 14-?]. The Emerson Gallery, Rockland Center for the Arts, West Nyack, New York, U.S.A.

Figuración fabulación: 75 años de pintura en América Latina, 1914-1989 [March 4‑May 6]. Museo de Bellas Artes, Caracas, VENEZUELA.*

Sings of the Self: Changing Perceptions [March 17‑April 15]. Woodstock Artists Association, Woodstock, New York, U.S.A.*

The Decade Show. Frameworks of Identity in the 1980s [May 16‑August 19]. The New Museum of Contemporary Art/[May 16‑August 18]. Museum of Contemporary Hispanic Art (MOCHA)/[May 18‑August 19]. The Studio Museum in Harlem, New York, U.S.A.

Lines of Vision: Drawings by Contemporary Women. Museo de Arte Contemporáneo Sofía Imbert, Caracas, VENEZUELA.

Signs of Life‑Process and Materials, 1960-1990. Institute of Contemporary Art, Philadelphia, Pennsylvania, U.S.A.

1990‑1991

Revered Earth. The Center for Contemporary Arts, Santa Fe, New Mexico/ Contemporary Art Museum, Houston, Texas/The Pratt Institute, New York/Atlanta College of Art and Nexus Contemporary Art Center, Atlanta, Georgia/University of Arizona, Tucson, Arizona/Blue Star Art Space, San Antonio, Texas/The Mint Museum, Charlotte, North Carolina, U.S.A.

1990

Landscape/Mindscape. Carlo Lamagna Gallery, New York, U.S.A.

Sacred Forces: Contemporary and Historical Perspectives. San Jose State University, San Jose, California, U.S.A.

Art As Artifact. Institute of Contemporary Art, Philadelphia, Pennsylvania, U.S.A.

Exoticism. Ezra & Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, U.S.A.

1991

With Nature [June‑July]. Galerie Lelong, New York, U.S.A.

Devil on the Stairs: Looking Back on the Eighties. Institute of Contemporary Art, Philadelphia, PA./Institute of Contemporary Art, Boston, Massachusetts/Newport Harbor Museum, Newport Beach, California, U.S.A.

The Contemporary Drawing: Existence, Passage and the Dream. Rose Art Museum, Brandeis University, Waltham, Massachusetts, U.S.A.

Experiencing Sculpture: The Figurative Presence in America 1870‑1990. The Hudson River Museum, Yonkers, New York, U.S.A.

With Nature: Andy Goldsworthy, Wolfgang Laib, Jane Laudi, Donald Lipski, Richard Long, Ana Mendieta, Elizabeth Newman. Galerie Lelong, New York, U.S.A.

1991‑1993

CUBA‑USA: The First Generation (See chapter “The Exhibitions” No.558)

El corazón sangrante/The Bleading Heart [October 25/1991‑January 5/1992]. The Institute of Contemporary Art, Boston, Massachusetts/[February 29‑April 26/1992]. Contemporary Arts Museum, Houston, Texas/[April 22‑July 5/1992]. The Institute of Contemporary Art, Philadelphia, Pennsylvania, U.S.A./[September 10‑November 1/1992]. Mendel Art Gallery, Saskatoon, Saskatchewan, CANADA/[December 17/1992‑February 21/1993]. Newport Harbor Art Museum, Newport Beach, California, U.S.A./[March 21‑May 16/1993]. Museo de Bellas Artes, Caracas, VENEZUELA/[June‑August/1993]. Museo de Arte Contemporáneo, Monterrey, MEXICO.*

1991

Visions, Fantasies and Mind Wanderings. Lintas Worldwide, New York, U.S.A.

Reclaiming the Spirit. Vreg Baghoomian Gallery, New York, U.S.A.

Art on Paper. Weatherspoon Gallery, University of North Carolina at Greensboro, Greensboro, North Carolina, U.S.A.

1992

América Bride of the Sun. 500 Years Latin America and the Low Countries [February 1‑May 31]. Royal Museum of Fine Arts, Antwerp, BELGIUM.*

Barro de América Primera Bienal [August]. Museo de Arte Contemporáneo de Caracas Sofía Imber, Caracas, VENEZUELA.*

1992-1993

Latin American Artists of the Twentieth Century. Museo de Arte Contemporáneo, Seville, SPAIN/ Josef‑Haubrish‑Kunsthalle, Cologne, GERMANY/ Centre d’Art et Culture George Pompidou, Paris, FRANCE/ [June 6-September 7/1993] The Museum of Modern Art, New York, U.S.A.*

1992

See América Koninklijk Museum voor Schone Kunsten, Antwerp, BELGIUM.

Plus Ultra. Américas. Convento de Santa Clara, Moguer, Huelva, SPAIN.

1993

Art Miami’93. International Art Exposition [January]. Miami Beach Convention Center, Miami, Florida, U.S.A.

Personal Choice-Selections from Four Penn Alumni Collections: Carlos and Rosa de la Cruz, William and Phyllis Mack, Martin Z. Margulies, Ruth and Marvin Sackner [May 15-July 18]. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, U.S.A.

Andy Goldsworthy/Alfredo Jaar/Richard Long/Ana Mendieta/Elizabeth Newman/Ursula von Rydingsvard. Galerie Lelong, New York, U.S.A.

Photography: Expanding the Collection. The Whitney Museum of American Art, New York, U.S.A.

I am the Enunciator. Thread Waxing Space, New York, U.S.A.

Body Parts. Haines Gallery, San Francisco, California, U.S.A.

The Subject of Rape. Whitney Museum of American Art, New York, U.S.A.

Beyond Boundaries: Art of the Sixties and Seventies. San Francisco Museum of Modern Art, San Francisco, California, U.S.A.

1993-1994

Photoplay. Chase Manhattan Collection. Center for the Fine Arts, Miami, Florida, U.S.A./[June‑July 3]. Museo Amparo, Puebla/Museo de Arte Contemporáneo de Monterrey, Nuevo León, MEXICO/[1994]. Centro Cultural Consolidado, Caracas, VENEZUELA/Museu de Arte Contemporâneo, Sâo Paulo, BRAZIL/Museo Nacional de Bellas Artes, Buenos Aires, ARGENTINA/Museo de Bellas Artes, Santiago de Chile, CHILE.

Ante América: Regarding América, Museo de Bellas Artes, Caracas, VENEZUELA/Biblioteca Luis Angel Arango, Bogota/Casa Luis López Mesa, Bogota, COLOMBIA/[?-September 26/1993]. Queens Museum of Art, Flushing, New York/[December 21/1993‑January 30/1994]. Center for the Arts, San Francisco, California/[?‑May 15/1994]. Spencer Museum of Art, University of Kansas, Lawrence, Kansas, U.S.A.

Differéntes Natures. Visions de l’Art Contemporain. La Défense, Paris, FRANCE/[1994]. Palau de la Virreina, Barcelona, SPAIN.

1994

Transcending the Borders of Memory [September 24‑November 13]. Norton Gallery of Art, West Palm Beach, Florida, U.S.A.*

American Voices: Cuban American Photography in the U.S. FotoFest’94 [November 10-30]. George R. Brown Convention Center, Houston, Texas.*

Rejoining the Spiritual: The Land in Contemporary Latin American Art [?-March 31]. The Maryland Institute, College of Art, Baltimore, Maryland, U.S.A.

Outside the Frame: Performance and the Object. Cleveland Center for Contemporary Art, Cleveland/Snug Harbor Cultural Center, New York, U.S.A.

Visceral Responses. Holly Solomon Gallery, New York, U.S.A.

The Label Show: Contemporary Art and the Museums. Museum of Fine Arts, Boston, Massachusetts, U.S.A.

A Sense of Place. Elizabeth Leach Gallery, Portland, Oregon, U.S.A.

1995

Femininmasculin. Le sexe de l’art [?‑February 12]. Centre Culturel George Pompidou, Paris, FRANCE.

Cuba: La isla posible [April 18‑May]. Centro de Cultura Contemporanea de Barcelona, Barcelona, SPAIN.*

Black and White: A Drawing Show [September 1‑October 12]. Laura Carpenter Fine Art, Santa Fe, New Mexico, U.S.A.

1995‑1996

Latin American Women Artists 1915‑1995. [March 3‑May 28/1995]. Milwaukee Art Museum, Milwaukee, Wisconsin/[July 7‑October 1]. Phoenix Art Museum, Phoenix, Arizona/[October 28/1995‑January 14/1996]. The Denver Art Museum and Museo de las Américas, Denver, Colorado/[February 8‑April 29/1996]. The National Museum of Women in the Arts, Washington, D.C., U.S.A.*

1995

Vito Acconti, Janine Antoni, Matthew Barney, Chris Burden, Gilbert & George, Carter Kustera, Ana Mendieta, Bruce Nauman, Arnulf Rainer, Charles Ray, Carole Schneemann, Hannah Wilke. Nathalie Karg, New York, U.S.A.

25th Anniversary Exhibition: Artists Talk Back: Visual Conversations with El Museo. Part III: Reaffirming Spirituality. Museo del Barrio, New York, U.S.A.

A Selected Survey 1983-1995. Pat Hearn Gallery, New York, U.S.A.

Latin American Women Artists, 1915-1995. Milwaukee Art Museum, Wisconsin/ Phoenix Museum of Art, Phoenix, Arizona, U.S.A.

Fact and Fiction: Photographs from the Permanent Collection. Whitney Museum of American Art, Stamford, Connecticut, U.S.A.

Under Glass. Charles Cowles Gallery, New York, U.S.A.

XI Mostra da Gravura Cidade de Curitiba [October 31-December 29]. Fundaçao Cultural de Curitiba, Curitiba, BRAZIL.

Sniper’s Nest: Art that has Lived with Lucy R. Lippard. Center for Curatorial Studies at Bard College, Annandale-on-Hudson, New York, U.S.A.

Glaube Hoffnung Liebe Tod. Kunsthalle Wien and Graphische Sammlung, Albertina, Vienna, AUSTRIA.

1996

“… my magic pours secret libations” [February 16-April 6]. Florida State University Museum of Fine Arts, Tallahassee, Florida/[May-June]. Terrace Gallery, Orlando, Florida/[June-July]. Edith-Marie Appleton Wing, Appleton Museum of Art, Ocala, Florida, U.S.A.*

Cuba siglo XX. Modernidad y sincretismo (See chapter “The Exhibitions” No.568)

Inside the Visible: an Elliptical Treverse of 20th Century Art in of, and from the Feminine. Institute of Contemporary Art, Boston, Massachusetts, U.S.A.

The Body as Membrane Body-Art. Kunsthallen Brandts Klaedefabrik, Odense, DENMARK.

Sexual Politics: Judy Chicago’s “Dinner Party” in Feminist Art History. Armand Hammer Museum of Art and Cultural Center, Los Angeles, California, U.S.A.

Being Human: Lucian Freud, Ann Hamilton, Lilian Hsu-Flanders, Dennis Kardon, Sol LeWitt, Ana Mendieta, Laurie Simons, Kiki Smith. Rabb Gallery, Museum of Fine Arts, Boston, Massachusetts, U.S.A.

Bodyscape. Galerie Barbara Gross, Munich, GERMANY.

More than Minimal: Feminism and Abstraction in the ‘70s. Rose Art Museum, Brandeis University, Waltham, Massachusetts, U.S.A.

Divine Flesh: Contemporary Goddess Imagery. Artopia Gallery, New York, U.S.A.

Inslusion/Exclusion: Art in the Age of Post-Colonialism and Global Migrations [October]. Steirischer Herbst 96, Graz, AUSTRIA.

Making Pictures: Women and Photography, 1975-Now. Nicole Klagsburn Gallery, Boston, Massachusetts.

1997

Body. The Art Gallery at New South Wales, Sydney, AUSTRALIA.

Mirror Images: Women, Surrealism and Self-Representation. MIT List Visual Art Center, Boston, Massachusetts/Miami Art Museum, Miami, Florida, U.S.A.

Trade Routes. Africus 97. 2nd Johannesburg Biennial [October 12/1997-January 18/1998]. Electric Workshop, Johannesburg, SOUTH AFRICA.*

Breaking Barriers. Selections from the Museum of Art’s Permanent Contemporary Cuban Collection. Museum of Art, Fort Lauderdale, Florida, U.S.A.*

1999

Cuba. Landkarten Der Sehnsucht (Cuba. The Maps of Desire) [March 19-May 30]. Kunsthalle wien, Vienna, AUSTRIA.

AWARDS

1977

Iowa Arts Council Exhibition Grant, Iowa, U.S.A.

1978/1980

National Endowment for the Arts, New York, U.S.A.

1979

Creative Artists Program Service (CAPS) Grant [sculpture], U.S.A.

1980

Guggenheim Fellowship [sculpture], New York, U.S.A.

1982

National Endowment for the Arts [sculpture grand prize], New York, U.S.A.

1983

American Academy Fellowship [sculpture], Rome, ITALY.

1984

Awards in the Visual Art, Southeastern Center for Contemporary Art, Winston‑Salem, North Carolina, U.S.A.

PUBLICATIONS

MENDIETA OTI, Ana. [Text for her participation in the Salón Nacional de Pequeño Formato, Havana]. [unpublished], 1 pp., CUBA, September, 1981.*

_________. “Venus Negra, based on a Cuban legend.” Heresies, New York, Vol. 4, No.1, Issue 13, [illus.], p.22, U.S.A., 1981.

_________. [Proyectos G y Farallones del Castillo del Príncipe]. Unpublished manuscript, New York/Havana, 3 pp., U.S.A., 1982 California.*

_________. “Latin America Visual Thinking.” Art Awareness, Lexington, New York, pp.4‑5, U.S.A., Summer, 1984.

_________. “Legionnaire.” The Drawing Legion, Iowa, p.82, U.S.A., December, 1984.

_________. “A Selection of Statements and Notes.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, p.70‑74, U.S.A., Spring, 1988.*

_________. Ana Mendieta. A Book of Works. Grassfield Press, Miami Beach, [Introduction and edition: Bonnie Clearwater] [illus.], 71 pp., U.S.A., 1993.*

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_________. “The New Museum: retrospectiva de Ana Mendieta.” La Voz Hispana, New York, p.20, U.S.A., January 28-February 3, 1988.

CAMACHO, Jhovanny (ed.). cat. 25th Anniversary Exhibition: Artists Talk Back: Visual Conversations with El Museo. Part III: Reaffirming Spirituality. Museo del Barrio, New York, U.S.A., 1995.

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ESHLEMAN, Clayton. “Galactite. In Memory of Ana Mendieta.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, p.106‑110, U.S.A., Spring, 1988.*

FELDMAN, Melissa E. cat. Signs of Life‑Process and Materials, 1960-1990. Institute of Contemporary Art, University of Pennsylvania, Pennsylvania, U.S.A., 1990.

FICHNER-RATHUS, Lois. Understanding Art. Ed. Prentice Hall, New Jersey, U.S.A., 1994.

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_________. “Critic’s Choice.” The New York Times, New York, U.S.A., October 10, 1982.

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GUEVARA, Roberto. cat. Barro de América Primera Bienal. Museo de Arte Contemporáneo de Caracas Sofía Imber, Caracas [illus.], p.18, VENEZUELA, August, 1992.*

GURA, Jan. cat. Expressions of Self: Women and Autobiography. Douglas College Art Gallery, Rutgers University, New Jersey [illus.], U.S.A., November 19, 1979.

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_________. Art New England, Philadelphia, Pennsylvania, U.S.A., November, 1980

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HJORT, Oystein. “En mur til de undertrykte.” Politiken, Copenhagen, DENMARK, November 2, 1980.

HORNONG, Lisa. cat. Earth/Body Sculptures. Douglas College, Rutgers University, New Jersey [illus.], U.S.A., April 19‑May 12, 1982.

HOYOS, Juan José. “Obras de arte… de hierba.” El Tiempo, p.E6, COLOMBIA, May 18, 1981.

IANCO‑STARRELS, Josine. “Latino Artists Featured.” Los Angeles Times, Los Angeles, California, p.92, U.S.A., October 28, 1984.

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KATZ, Robert. Naked by the Window. The Fatal Marriage of Carl Andre and Ana Mendieta. Ed. The Atlantic Monthly Press, New York, [illus.], 420 pp., U.S.A., 1990.*

KITTREDGE, Cherry. “Mendieta Incorporates Herself Earth and Art.” The Daily Iowan, Iowa City, Iowa, [illus.], p.7, U.S.A., December 6, 1977.

KOHEN, Helen L. “An Impressive Showing by Today’s Latin Artists.” The Miami Herald, Miami, Florida, Art/Festival [illus.], U.S.A., October 9, 1981.*

_________. “Mixed bag at the Lowe.” The Miami Herald, Miami, Florida [illus.], p.7L, U.S.A., October 31, 1982.*

KWON, Milwon. cat. Inside the Visible: an Elliptical Treverse of 20th Century Art in of, and from the Feminine, Ed. MIT Press, Cambridge, Massachusetts, U.S.A., 1994.

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_________. “Constructive Criticism.” The Village Voice, New York, p.85, U.S.A., October 29‑November 4, 1980.

LEFFINGWELL, Edward. “Latin Soliloquies.” Art in America, New York, p.73-83, U.S.A., December, 1993.

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_________. “The Pains and Pleasures of Rebirth: Women’s Body Art.” Art in America, New York, Vol. 64, No.3 [illus.], pp.73‑81, U.S.A., May‑June, 1976.

_________. “Art Outdoors, In and Out of the Public Domain: A Slide Lecture.” Studio International, London, Vol. 193, p.83‑90, U.K., March, 1977.

_________. “Quite Contrary: Body, Nature, Ritual in Women’s Art.” Chrysalis, Boston, No.2 [illus.], pp.31‑47, U.S.A., 1977.

_________. cat. Exchanges I. Henry Street Settlement, Louis Abrams Arts for Living Center, New York, U.S.A., May 11‑July 31, 1979.*

_________. “Gardens: Some Metaphors for a Public Art.” Art in America, New York, Vol. 69, No.9 [illus.], pp.136‑150, U.S.A., November, 1981.

_________. “Making Manifest.” The Village Voice, New York, Vol.27, No.5, pp.72‑73‑75, U.S.A., January 27‑February 3, 1982.

_________. Overlay: Contemporary Art and the Art of Prehistory. Pantheon Books, New York [illus.], 270 pp., U.S.A., 1983.

_________. “Obituary.” Art in America, New York, Vol.73, No.11, p.190, U.S.A., November, 1985.

_________. “Cultural Exchange; Made in the USA: Art from Cuba.” Art in America, New York, Vol.74 [illus.], p.27‑35, U.S.A., April, 1986.*

_________. “Ana Mendieta, 1948‑1985.” Hue Points, Phoenix, Arizona, p.54‑55, U.S.A., Spring, 1986.

_________. cat. Made in USA: Art from Cuba. Amelie Wallace Gallery, New York [illus.], U.S.A., 1986.

_________. Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, p.76‑77, U.S.A., Spring, 1988.*

LLANO, Olga. “Latin American Women Exhibit their Artwork.” Pastimes [illus.], U.S.A., 1981.*

LOVE, Monifa A. “The Woman Who Was not a Bird.” cat. “… my magic pours secret libations.” Ed. Florida State University Museum of Fine Arts, School of Visual Arts & Dance, Tallahassee, Florida [illus.], p.10-12, U.S.A., February 16-April 6, 1996.*

LOVELACE, Carey. “Two Impressive Recent Exhibitions Provide Fitting Eulogies for a… “ The New Manhattan Review, Manhattan, New York, pp.26‑34, U.S.A., March 19, 1986.

LUBELL, Ellen. “Invitational.” Arts Magazine, New York, Vol. 52, No.2, p.26, U.S.A., October, 1977.

_________. “Ana Mendieta at Yvonne Seguy.” Art in America, New York, Vol.71, No.6 [illus.], p.161, U.S.A., Summer, 1983.*

LUCIE‑SMITH, Edward. Art in the Seventies. Phaidon Press, Oxford [illus.], U.S.A., 1980.*

LUIS, Carlos M. “Mendieta quiere asombrar a Miami con fogatas en Lowe.” El Miami Herald, Miami, Florida [illus.], U.S.A., October‑November, 1982.*

LURIE, Sheldon M. cat. Latin American Art from the Private Collections of María and Luis Avellana, S.M. Lurie, Peter Menéndez. Interamerican Art Gallery, Miami-Dade Community College, Miami, Florida, U.S.A., 1989.

MANGO, Lorenzo. “Le Mostre a Rome: Ascensione por trace d’incendio.” Paese Sera. Cultura e Societa (supplement), ITALY, April 13, 1984.

MAPPLETHORPE, Robert. Black Book. St. Martin’s Press, New York, U.S.A., 1986.

McCONATHY, Dale. “Architecture as Imaginations of the Future/Sculpture as Speculation on the Past.” Artscanada, Contingencies, CANADA, November, 1982.

McFADDEN, Sarah. “Going Places, Part II: The Outside Story.” Art in America, New York, Vol. 68, No.6, pp.51‑61, U.S.A., Summer, 1980.

MEJIA, Adriana. “Tertulia con las artistas.” El Mundo Semanal, Medellin, No.108, pp.6‑9, COLOMBIA, June 6, 1981.

MELINE, Carolina. “Is Women’s Art Really Different? Shows Such as This Suggest So.” The Philadelphia Inquirer, Philadelphia, Pennsylvania, p.3, U.S.A., December 12, 1980.

MELUZA, Lourdes. “Un regreso a la naturaleza.” El Miami Herald, Miami, Florida [illus.], U.S.A., November 20, 1982.*

MENDIETA HARRINGTON, Raquel. “[poem to Ana Mendieta].” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, p.92‑93, U.S.A., Spring, 1988.*

_________. “Ana Mendieta: Self-Portrait of a Goddess.” Latin American Literature and Arts, New York, No.39, pp.38-39, U.S.A., January-June, 1988.

_________. cat. America Bride of the Sun. Royal Museum of Fine Arts, Antwerp [illus.], p.473, BELGIUM, February 1‑May 31, 1992.

MEREWETHER, Charles. “Light Me Another Cuba.” cat. Made in Havana. Art Gallery of New South Wales, Sydney [illus.], p.13, AUSTRALIA, October, 1988.*

_________. “The Migration of Images: Inscriptions of Land and Body in Latin America.” cat. America Bride of the Sun. Royal Museum of Fine Arts, Antwerp [illus.], pp.197‑222, BELGIUM, February 1‑May 31, 1992.

_________. cat. America Bride of the Sun. Royal Museum of Fine Arts, Antwerp [ilus], pág.471‑472, BELGIUM, February 1‑May 31, 1992.

_________. cat. Latin American Artists of the Twentieth Century. Museo de Arte Contemporáneo, Seville, SPAIN/Josef‑Haubrish‑Kunsthalle, Cologne, GERMANY/ Centre d’Art et Culture George Pompidou, Paris, FRANCE/The Museum of Modern Art, New York, U.S.A., 1992-1993.*

MONFERINI, Augusta. “Carl Andre e Ana Mendieta.” L’Espresso Rome, Rome, ITALY, February 10, 1985.

MONTANO, Linda. “An Interview with Ana Mendieta.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, p.65‑69, U.S.A., Spring, 1988.*

MOORMAN, Margaret. “Ana Mendieta.” ArtNews, New York, p.172, U.S.A., January, 1990.

MORGAN, Robert C. “Ana Mendieta (The New Museum of Contemporary Art).” Arts Magazine, New York, Vol.62, No.7, p.111, U.S.A., March, 1988.

MOSQUERA FERNANDEZ, Gerardo. cat. Rupestrian Sculptures/Esculturas rupestres. A.I.R. Gallery, New York, U.S.A., November 10‑28, 1981.*

_________. “Ana Mendieta: Esculturas rupestres.” Areito 7, Miami, Florida, No.28, p.54‑56, 1981.

_________. “La última silueta.” El Caimán Barbudo, Havana, p.23, CUBA, February, 1987.*

_________. cat. Ana Mendieta/Tania Bruguera. Centro de Desarrollo de las Artes Visuales, Havana, CUBA, January 6, 1992.*

NAHAS, Dominique. cat. Figures: Form and Fiction. Everson Museum of Art, Harrison, New York, U.S.A., 1988.

NAJJAR, Eugenie/SHASHA, Karen. cat. With her Body in Mind, Hera Gallery, Wakefield, Rhode Island, U.S.A., 1987.

NESBITT, Lois E. “Ana Mendieta.” Artforum, New York, Vol.XXX, No.7, pp.106-107, U.S.A., March, 1992.

NODAL, Adolfo V. (Al Nodal). “Obituary.” High Performance, Los Angeles, California Vol.8, No.3, p.3, U.S.A., 1985.

_________. Sulfur. Ed. Eastern Michigan University, Ypsilanti, MI., pp.89‑90, U.S.A., Spring, 1988.*

OLIVETTI, Gary. “Mingling with Nature.” The Vermont Vanguard Press, Vermont [illus.], U.S.A., October 7, 1980.

ORENSTEIN, Gloria, “The Reemergence of the Archetype of the Great Goddess in Art by Contemporary Women.” Heresies, New York [illus.], pp.74‑84, U.S.A., Spring, 1978/Sommair, Paris, No.20, FRANCE, 1980.

_________. “A Renaissaince of Goddess Culture.” Fireweed, Toronto, [illus.], CANADA, Autumn, 1978.

PARADA, Esther. “Home Products. Notes on History, Photography, and Cultural Politics in Cuba.” Afterimage, New York, Volume 10, Number 5, [illus.], pp.8‑15, U.S.A., December, 1982.*

PARIS, Jeanne. “Salt Air in the Museum.” Newsday, U.S.A., July 20, 1979.

PELS, Marsha. Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, p.84‑88, U.S.A., Spring, 1988.*

PEREZ DE MENDIOLA, Marina. “The pen and the paintbrush: Reading Latin American women artists/La pluma y el pincel: Leyendo sobre las artistas latinoamericanas.” cat. Latin American Women Artists 1915‑1995, Milwaukee Art Museum, Wisconsin [illus.], p.73, U.S.A., March 3‑May 28, 1995.*

PERREAULT, John. “Manifesto Destiny.” The Soho News, New York, Art 1 [illus.], p.50, U.S.A., January 19, 1982.*

_________. “Earth and Fire. Mendieta’s Body of Work.” cat. Ana Mendieta. A Retrospective. The New Museum of Contemporary Art, New York [illus.] [text in English and Spanish], p.10‑23, U.S.A., November 20/1987‑January 24/1988.*

_________. “Ana Mendieta (1948‑1985)/Analog for Ana Mendieta.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, pp.55‑56/94‑100, U.S.A., Spring, 1988.*

PERRIN, Marlene J. “Ana Mendieta Works with Nature to Produce her Art.” Iowa City Press‑Citizen, Iowa [illus.], p.A5, U.S.A., December 2, 1977. PHILIPS, Lisa. cat. Photoplay. Chase Manhattan Collection. Center for the Fine Arts, Miami, Florida, U.S.A./Museo Amparo, Puebla/Museo de Arte Contemporáneo de Monterrey, N.L., MEXICO/Centro Cultural Consolidado, Caracas, VENEZUELA/Museu de Arte Contemporaneo, Sao Paulo, BRAZIL/Museo Nacional de Bellas Artes, Buenos Aires, ARGENTINA/Museo de Bellas Artes, Santiago de Chile, CHILE, 1993-1994.

PINDELL, Howardena. Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, p.91‑92, U.S.A., Spring, 1988.*

PINI, Ivonne. “Ana Mendieta: A Book of Works.” Art Nexus, Bogota, No.12, COLOMBIA, April-June, 1994.

P.L. “Un duetto di pietro e foglie.” Corriere della Sera, Milan, ITALY, January 19, 1985.

POGGI, Christine. “The New Spiritualism.” Women Artists News, New York, Vol. 6, Nos.2‑3 [illus.], p.6, U.S.A., Summer, 1980.

PORONER, Palmer. “The Latin American Art Infusion.” Artspeak, New York, Vol. III, No.10, p.5, U.S.A., November 26, 1981.*

QUEVEDO, Alberto. cat. Geo‑Imago, Museo Nacional de Bellas Artes, Havana, CUBA, April 26, 1983.*

RAMLJAK, Suzanne/STONE, Merlin. cat. Divine Flesh: Contemporary Goddess Imagery. Artopia Gallery, New York, U.S.A., 1996.

RAUCH, Heidi/SURO, Federico. “Ana Mendieta’s Primal Scream.” Americas, Washington, D.C., Vol.44, No.5, p.45-48, U.S.A., 1992.

RAVEN, Arlene. cat. Rape. Ohio State University Gallery of Fine Art, Ohio. [illus.], p.5‑12, U.S.A., 1986.

_________. “Ana Mendieta: New Museum of Contemporary Art.” New Art Examiner, Chicago, Illinois, Vol.15, No.6, pp.64-65, U.S.A., 1988.

REID, Calvin. “Multi-Site Exhibitions: Inside/Outside.” Art in America, New York, pp.56-63, U.S.A., January, 1991.

RICARDO LUIS, Roger. “Muy orgullosa de mi Cuba, de la Cuba de hoy [interview with Ana Mendieta].” Granma, Havana [illus.], p.3, CUBA, January 28, 1981.*

RICHARD, Paul. “Out of Galleries into the Street: The Mischievous Art of the Urban…” The Washington Post, Washington, D.C., pp.B1‑B2, U.S.A., March 24, 1981.

RICKEY, Carrie. “The Passion of Ana.” The Village Voice, New York, U.S.A., September 10, 1980.

_________. “Why Women Don’t Express Themselves: Put the Blame on Boys, Mame.” The Village Voice, New York, Vol.27, No.44, pp.1,79, U.S.A., November 2, 1982.

RICH, Ruby B. “The Screaming Silence.” The Village Voice, New York, pp.23‑24, U.S.A., September 16‑22, 1986.*

_________. “Ana Mendieta: A Postscript.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, pp.110‑114, U.S.A., Spring, 1988.*

ROBINS, Corrine. “Farewell to Minimalism.” American Book Review, New York, Vol.9, No.6, pp.3,5, U.S.A., January-February, 1988.

RODALE, Robert. “Nice Work.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, pp.78‑79, U.S.A., Spring, 1988.*

ROLEKE, Margaret. “Installation Art: The View from New York.” Women’s Art, No.46, U.S.A., May-June, 1992.

ROSEN, Randy/BRAWER, Catherine C. Making Their Mark: Women Artists Move into the Mainstream. Ed. Abbeville Press, New York, U.S.A., 1989.

RUBIANO, Dora. “Reviews.” Flash Art, Milan/New York, No.139, pp.112-113, U.S.A., March-April, 1988.

_________. “Figures: Form and Fiction.” Everson Museum of Art Bulletin, Everson, U.S.A., September, 1988.

RUBIANO CABALLERO, Germán. “Barro de América.” Art Nexus, Bogota, No.52, pp.64-67, COLOMBIA, October, 1992.

RUSSELL, John. The New York Times, New York, U.S.A., June 8, 1979.

SANCHEZ, Aixa. “Reminiscencias de una identidad en el FotoFest’94.” Estilo, Caracas, Vol. 5, No.22 [illus.], pp.27-30, VENEZUELA, 1994.

SANGSTER, Gary (ed.). cat. Outside the Frame: Performance and the Object. Cleveland Center for Contemporary Art, Cleveland/Snug Harbor Cultural Center, New York, U.S.A., 1994.

SAVINO, Beatriz. cat. Earth: Latin America’s Visions/La Tierra: Visiones de América Latina, Museum of Contemporary Hispanic Art (MOCHA), New York, U.S.A. September 26‑December 14/1989.*

SCHLOSS, Edith. “Ana Mendieta’s Sculpture Reliefs of Baked Earth Exhibited in Rome.” International Herald Tribune, New York, U.S.A., April 7‑8, 1984.

SCHMIDT, Barbara U. “Ana Mendieta.” Artscribe, New York, p.64, U.S.A., March-April, 1996.

SCHNEEMANN, Carolee. “Hand/Heart for Ana.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, pp104‑106, U.S.A., Spring, 1988.*

SCHOR, Mira. Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, pp.101‑104, U.S.A., Spring, 1988.*

SENTIS, Mire, “Ana Mendieta: La silueta del destino.” El Europeo, Madrid, No.43, pp.80-91, SPAIN, Fall, 1992.

SIMS, Lowery Stokes. “Race, Representation, and Appropiation.” cat. Race and Representation. Hunter College Art Gallery, New York [illus.], p.17, U.S.A., January 26‑March 6, 1987.*

_________. “Ana Mendieta: A Reminiscence.” Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, pp.83‑84, U.S.A., Spring, 1988.*

_________. cat. Ana Mendieta: A Personal Reminiscence. Terne Gallery, New York, U.S.A., May 12‑June 18, 1988.

SPERO, Nancy. Sulfur. Ed. Eastern Michigan University, Ypsilanti, Michigan, pp.93‑94, U.S.A., Spring, 1988.*

_________. “Tracing Ana Mendieta.” Artforum, New York, Vol.XXX, No.8, pp.75‑77, U.S.A., April, 1992.

STEIN, Judith E. “Natural Disposition.” Afterimage, New York, Vol.8, No.1, pp.14‑15, U.S.A., February, 1981.

STRINGER, John. “Ana Mendieta.” cat. Aquí: 27 Latin American Artists Living and Working in the United States. Fisher Gallery, University of Southern California, Los Angeles, California, p.70, U.S.A., October 10‑December, 1984.*

TEITELBAUM, Matthew. “El corazón devorado.” cat. El corazón sangrante/The Bleading Heart. The Institute of Contemporary Art, Boston, Massachusetts [illus.], p.108, U.S.A., October 25/1991‑January 5/1992.*

THORSON, Alice. “Colliding Realities.” New Art Examiner, Chicago, Illinois, Vol.18, No.9, pp.33-34, U.S.A., May, 1991.*

TORRUELLA LEVAL, Susana. cat. Caribbean Art/African Currents, Museum of Contemporary Hispanic Art (MOCHA), New York, U.S.A. April 17‑May 25, 1986.

_________. cat. Signs of the Self: Changing Perceptions. Woodstock Artists Association, Woodstock, New York, U.S.A., March 17-April 15, 1990.*

TRIPLETTE, Laurie. “A Proud Homecoming: The Awards in the Visual Arts Exhibition Comes…” The Spectator, Winston‑Salem, North Carolina, U.S.A., August 13, 1985.

TULLY, Judd. “In Homage to Ana Mendieta.” New Art Examiner, Chicago, Illinois, Vol.13, No.9, pp.59‑60, U.S.A., May, 1986.

VALDES Jr., Gustavo. “Ana Mendieta: La Serie Silueta en Galerie Lelong.” Noticias de Arte, New York, U.S.A., January, 1992.

VAN WAGNER, Judy Collinschan. cat. Lines of Vision: Drawings by Contemporary Women. Hillwood Art Gallery, Long Island University, Brookville, U.S.A. July 6‑August 17, 1989.*

VILLAESPESA, Mar. cat. Plus Ultra. Américas. Convento de Santa Clara, Moguer, Huelva, SPAIN, 1992.

WADLER, Joyce. New York, New York, pp.36‑46, U.S.A., December, 1985.

WHITBECK, Doris. “Of Nature, Myth and Womanhood.” The Hartford Courant, Hartford, Connecticut, Vol.CXLV, No.120, pp.D1‑D8, U.S.A., April 30, 1982.*

WILSON, Judith. “Ana Mendieta Plants her Garden.” The Village Voice, New York [illus.], p.90, U.S.A., August 13‑19, 1980.*

_________. “A Month at the Races.” The Village Voice, New York, Vol.26, No.8, p.74, U.S.A., February 18‑24, 1981.

_________. “Small Crafted Warnings.” The Village Voice, New York, Vol. 26, No.21, p.90, U.S.A., May 20‑26, 1981.

_________/ROTH, Mar, cat. Autobiography in her Own Image, Latin American Gallery, New York, 1988.

WILSON, William. “MacArthur Park to Get Public Arts Program.” Los Angeles Times, Los Angeles, California, pp.1‑5, U.S.A., October 8, 1984.

WOLLHEIM, Richard. “Painting, Drawing and Sculpture in the Reagan Years.” Modern Painters, London, Vol.5, No.3, pp.49-53, U.K., Autumn, 1992.

WRIGHT, Eileen/SCOTT, Polly (ed.). Latin American Women Artists 1915‑1995. Milwaukee Art Museum, Milwaukee, Wisconsin, U.S.A., March 3-May 28, 1995.

WRIGHT, Martha McWilliams. “City Braces for Guerrilla Art.” Unicorn Times, Washington, D.C., p.44, U.S.A., March, 1981.

ZIMMER, William. “Artists Only.” Soho Weekly News, New York, U.S.A., 1979.

_________. “Mendieta at Yvonne Seguy.” Art Now/New York. Gallery Guide, New York, U.S.A., November, 1982.

_________. “Free Spirits.” Annals of the Insurgent Imagination, Vol.1, p.63, U.S.A., 1982.

OTHER PUBLICATIONS

Flue, Ed. Franklin Furnace, New York, Vol. 2, No.1, p.9, 1982, U.S.A. (illustration and text)

“Duetto pietre e foglie.” Legionnaire, The Drawing Legion, December, 1984, p.82, Iowa City, Iowa, U.S.A. (illustration)

FILMOGRAPHY

1981

TELEVISION CUBANA, La Habana. “[Interview with Ana Mendieta, January 23], Tele-Rebelde channel, CUBA.

1987

GARCIA-FERRAZ, Nereyda/HORSFIELD, Kate/MILLER, Branda. “Ana Mendieta: Fuego de Tierra,” documentary film, color, 40’, Video Data Bank, Chicago, Illinois, U.S.A.

PRINCIPAL COLLECTIONS

Addison Gallery of American Art, Andover, Massachusetts, U.S.A.

Art Institute of Chicago, Illinois, U.S.A.

Carlos & Rosa de la Cruz, Key Biscayne, Florida, U.S.A.

col. Raquel Mendieta Harrington, New York [private collection], U.S.A.

col. Raquel O. Mendieta, New York [private collection], U.S.A.

First Chicago National Bank, Chicago, Illinois, U.S.A.

Galerie Lelong, New York, U.S.A.

The Hirshhorn Museum and Sculpture Garden, Washington, D.C., U.S.A.

Metropolitan Museum of Art, New York, U.S.A.

The Museum of Contemporary Art (MOCA), Los Angeles, California, U.S.A.

State of Ana Mendieta Oti, New York, U.S.A.

Rhode Island School of Design, Providence, Rhode Island, U.S.A.

Rose Art Museum, Brandeis University, Waltham, Massachusetts, U.S.A.

The Toledo Museum of Art, Toledo, Ohio, U.S.A.

University of Iowa, Iowa, U.S.A.

Wexner Center for the Visual Arts, Columbus, Ohio, U.S.A.